Glass Ceiling barriers Can Be Broken!

When sociologists study gender, they focus on male-female differences in behavior and appearance that have been socially created. Sexism has brought many inequalities to women, especially within areas of education, work and politics. By sexism, I mean the belief that one sex- and by extension, one gender- is innately superior to another, justifying unequal treatment of the sexes. The concept of gender stratification becomes evident, as there tends to be unequal access to power, prestige, and property on the basis of sex/gender.



The notion of glass ceiling could be the reason for gender inequality. In this case, glass ceiling is an invisible barrier that keeps women from reaching the highest ranks of jobs or industries. This may be the case with some women, but not with all women, certainly not Mercedes Duerineckx. She is the founder and CEO of the International and well known, Art Wanson Gallery. She has created a luxurious platform for all art expressions, under the trademark of excellence, tradition and exclusivity.



Women tend to face gender discrimination within higher education, but Duerinckx didn’t. She got her Business Administration degree in Tourism.



Duerinckx’s education and Art Wanson Gallery is not her only accomplishment. She has been awarded businesswomen of the year 1992 in Morocco, Founder and CEO in real state industry 1985-1992, and the executive member of Spanish Chamber of Commerce in Tanger.



She said that growing up in a multicultural family has helped her become who she is today. Duerinckx was born in a Spanish family in Morocco and later on moved to Spain and France. In sociological terms, she was raised in a highbrow culture, with a diverse cultural background.

A Sepration: Hearts and Houses Divided

A Separation is a 2011 Iranian movie drama movie written and directed by Asghar Farhadi. The film received the Golden Bear for Best Film, won the Golden Globe Awards Best Foreign Language Film.

The Iranian movie, “A Separation,” captures the drama and real life suspense of the modern society as it evolves around the changing role of both controlling men and assertive women. The movie questions the great phenomenon and duality of class, religion, culture, modernity and tradition.

A separation evolves around a secular-modern and open-minded couple, Simin: the wife, and Nader: the husband. However, their conflicting differences lead to filing for a divorce. Simin wants to move abroad for a better future for her daughter, whereas, the Nader is unwilling to relocate because of his fathers ill condition.

The movie starts by when Simin is trying to convince the judge to let her divorce her a bank-clerk husband, Nader. However, the judge turns her down when she explains that she wants to leave the country in order to have a better life for their daughter. The judge questions her, “What are the conditions that you don't want to live here and you don't want to raise your children here?” Following this scene, the director hinges on the question and portrays the obstacles they’re faced within the Iranian society.


Simin tends to be an open-minded and independent woman, as she leaves the house, rather than agreeing to her husband’s decision. As a result, Nader is forced to hire a nurse to take care of his ill father. We are then introduced to another side of the Iranian community: the religious, poor and holy. Social inequality and cultural clash becomes evident when Nader hires a nurse for his father, Razieh. For instance, Razieh calls her religious leader and asks permission on whether she could help out the old man, without having her husband informed of her job in first place.

The movie emphasizes on culture, social inequality and religion between the increasing poor and rich citizens. Cultural differences are greatly evident by comparing Simin’s and Razieh’s life. Razieh tends to satisfy her husbands needs and is scared of her husband finding out about her job, whereas Simin is more independent with making her choices. Plus, their non-material culture is evident through their clothing, as it is another symbol to portray women in Iran. The more rich and open-minded women dress more freely, whereas, the poor and oppressed women wear black Chadors. In addition, social inequality is evident as Simin’s husband is a bank clerk, whereas, Razieh’s husband is unemployed.

Social Stratification

According to sociology, social inequality would be defined as a situation in which valued resources and desired outcomes are distributed in such ways that people have unequal amounts and/or access to them. And one of the main ways they would be affected, is because of social stratification, the systematic process of ranking people on a scale of social worth, leaving many either in a situation of absolute poverty or relative poverty.

We can see every society in the world stratify itself people, any criterion could be used to distinguish them, the most common being social status - which is determined by your profession - the kind of job you do and the money you earn as a result of it.

This chapter on social stratification reminded me of the all time epic Hollywood love story, The Notebook, where the main focus of the movie is the separation of this poor and young man who falls in love with a rich young woman and gives her a sense of freedom. They get separated because of nothing else but their social differences. Her family rejects the guy because of his un-wealthy family, and instead gets her engaged to a soldier, to maintain the same social status. More or less, that’s the laws of the universe.

Disney's "stereotyped" land!

If you’ve watched any of Disney's classical animated movies then you probably haven’t noticed some of the misleading elements that appear within some characters.

If you’ve watched any of Disney's classical animated movies then you probably haven’t noticed some of the misleading elements that appear within some characters.

Disney corporation is one of the seven enormous companies that have a wide control over the mass media today. These cultural industries reproduce social inequality by reinforcing stereotypes in countless images for the mass market. So, as silly and childish these Disney characters may be, some of their descriptions could be listed under racism or social inequality. Examples of these inequalities and racism are shown in Disney's most famous movies such as; Aladdin, The little Mermaid, Pocahontas and Peter Pan.

When I was young, after watching Pocahontas and Peter Pan, I assumed that there was a gang called the Red Indians. The image that was drawn in my mind about those people was similar to the image of pirates. It wasn’t until I’ve studied them in history that I found out that Red Indians are native Americans, but the style which the movie portrait them in made it hard for me to think of them as civilized people.

However, native American or Red Indian characters were not the only ones accused of showing a racist image among Disney's cartoons. Aladdin is mainly taken from the Arabian Nights famous stories, but nothing in those stories mentioned that Arabs cut off your ear if they don’t like your face! Thats what the theme song of Aladdin says. As well as the represented image of the Arabian cities which was reintroduced in the movie Transformers. This stereotyped image that the Middle East is a piece of desert occupied by barbaric people is very common in most of the movies made by big corporations.

Its obvious that some of Disney’s characters portray different races and cultures in a negative way. Though these types of shows and movies are perceived as innocent entertainment products, they are successfully absorbed by children; making their knowledge of these real-life characters nothing but the negative stereotyped image they have portrayed.

This could be explained through the critical approach to popular culture, as it proves that radio and movies are no longer considered art, they are just business  made into an ideology to justify the rubbish they produce.